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High Definition Interconnect with Time-Correct Windings, Bandwidth-Balanced Construction, and Dual Solid-Core Conductors for Enhanced Audio Performance

High-Performance Systems Require High-Performance Cables
Today’s movies and music recordings contain more information than ever before: higher resolution, extended frequency response, and wider dynamic range. They demand advanced interconnect cables that have the ability to transfer these complex signals.

Over the years, audiophiles and home theatre enthusiasts have discovered that inferior cables can degrade your system’s sound and decrease your overall enjoyment of the home entertainment experience. Ordinary cable technology and even so-called “high performance” cable designs can often limit sound, restrict dynamic range, and deliver second-rate sound reproduction. Poor construction and mediocre materials are simply incapable of transferring all the signals that better components deliver.

Interlink 400 MkII’s Precision Technologies Deliver Top Performance
Interlink 400 MkII (I400 MKII) features bandwidth-balanced dual solid-core center conductor design for smooth, balanced reproduction of dialog, effects, and music soundtracks. Patented time-correct windings accurately transfer both highs and lows with improved clarity and definition. And Monster’s innovative PEX dielectric ensures faster, more accurate signal transfer, even over long runs.

With I400 MkII, bass notes are deep and tight. Transients are faster, revealing greater detail, whether it’s a light cymbal tap on your favorite CD or the tinkling of glass in a movie. Imaging is precise, with tremendous depth and the incredible accuracy of soundstage. And I400 MkII’s improved phase response delivers a smoothness and feel that’s so natural you’ll marvel at just how good your system sounds.

Monster’s Patented Turbine RCA Connector: The World’s Finest
Interlink 400 MkII’s award-winning RCA connectors have a specially designed collet strain relief that withstands pulls of 100 pounds or more, so the connector stays put, even when components are moved. These premium 24k-gold contact, eight-diagonal-cut connectors provide optimum signal transfer and corrosion resistance. Monster’s split-tip center pin increases contact pressure, and four O-ring non-slip rubber grips make handling and connecting easy.

Maximize Your System’s Performance
One listen to Interlink 400 MkIIs and you’ll hear the extraordinary improvements that properly designed cables can make. For better home theatre sound and music reproduction, get I400 MkII–the true audiophile cable.

Product Description
Two multiple-gauge bandwidth-balanced wire networks. Time-correct windings. PEX dielectric. Micro fiber dielectric on selected conductors. Patented 8-cut turbine design gold-plated RCA connectors.

Monster Cable I400MKII-6M Interlink 400 MkII Advanced Bandwidth Balanced Audio Interconnect

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I wanted a small unit that could accept at least 3 stereo inputs and had at least 2 stereo outputs, one for the speakers and one for headphones.

Just got this pMix 100 today and have been listening to it this afternoon. There are a few issues, but overall I think I’m going to keep it as it seems to address my need.

PROS:
+ it accepts three 3.5mm (1/8in) headphone jack-style stereo inputs that can be mixed together if you want.

+ jacks are nice and tight so unlikely that the plugs will fall out.

+ sound seems good; I’m only using it for casual listening

+ size is pretty compact, can be easily tucked away on a desk

+ comes with a couple of male-male 3.5mm connector cables and an RCA-3.5mm male cable

+ knobs are damped and knobs seemed to fit tightly on my unit

CONS:
- Most noticeable drawback is the loss of volume. I measured the sound of a source (i) run directly to the speakers and (ii) run through the unit. For a song that peaked at 93dB a few feet away in the direct source set up (i), the measurement when run through the unit (ii) was 83dB. This is a significant loss of 10dB attributable to the unit. I made sure that the knobs weren’t moved between the comparisons. Despite this, I could still get plenty of volume out, so I came to terms with this.

- Occasional quite noticeable hum which I discovered was positional – that is, I got rid of it almost completely by moving the unit slightly or putting my hand over it. This indicates that it’s lacking some shielding somewhere. Perhaps wrapping it in tinfoil would help? Some kind of makeshift Faraday cage? Anyway I just moved it 3 inches and it’s fine for now.

- Blue lights are ridiculous (too bright and distracting!) and I will eliminate or cover them asap

- headphones do cut off speaker output so if you need 2 simultaneous outputs, this is probably not for you. It’s fine for me.

In summary, it works OK and in the absence of another inexpensive unit that manages my sound output this is fine. I don’t think I would run any quality-critical mixing through it but for a compact listening solution it’s fine.

The only other option I could find were the 8-10 input mixers; however they are really designed for predominantly mono inputs (though they have a couple of stereo inputs) and would have required too many adapters for the multiple mini-plug inputs I have.

I’m pretty harsh with ratings so 3 stars is probably what other people might call 4 stars.

UPDATE 02 Nov 2009
The buzzing (RF interference of some sort) was particularly noticeable with my wireless Sennheiser headphones and I got annoyed moving this thing around. It seems that the solution is to wrap it in tin foil – stops the buzzing (by protecting unshielded components).

So if you can live with it wrapped in tin foil, there is virtually no line noise. The stupid blue lights and transparent case seem to have been more important than properly shielding the case or wiring.
I bought two mixers, one was this one, one was a used Xenyx 1002
pro mixer, both about the same money. My application
was mixing PC sound card output back into the MIc input so that I could
play records and various PC sounds back to my Skype friends (no, I could
not make that up).

The unit certainly does what is after all a simple job, being a three
way mixer without distortion. To address the other reviewers “problems”,
if you do not like the fact that the speaker out cuts the headphones off,
which is after all a feature, it means you are trying to use that to
output to two devices at once. Buy a simple two-to-one jack and this will
do the same thing.

For the dude who was trying to plug a mic in, PC headset/mic
combinations, or any PC mic, needs a bias source. The PC mic in provides
a +5 volt bias voltage to the mic, or else it would not work. Rig
yourself a bias source by running a battery through a 2.2k resistor to
the ring lead (not tip or shell) and you can use it for this unit. See
various pages on the web for more information. American Recorder Technologies: PMIX-100 The American Recorder Personal Audio Mixer lets you play and mix the sound of up to 3 personal audio devices through a single speaker system. It is compatible with iPod, satellite radio, computer, DVD, CD, MP3 and other sources. It connects with convenient 1/8″ mini headphone jacks. The amplified headphone jack provides superior sound and private listening. You can also connect a guitar or microphone with an optional adapter. This unit includes a 9V power supply and audio cables. The PMIX-100 provides 3 independent volume controls plus a master volume.
American Recorder PMIX-100 3-Source Personal Audio Mixer

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